Business Plan Overview

Will this post help you with the business side of writing?

Despite my oh-so-limited time to spend on anything writing related, I am treating my writing as a business. I’ve had a business plan from the beginning. Not a professional, capture-venture-capital kind of business plan, but a comprehensive guide to my own efforts to be successful. It’s an ever-evolving document as I flesh out details.

This is the first in a series of posts about my business plan. Hope it helps!

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Scene Planning

As I learn more and more about the craft of writing, I find myself laying out more and more elements for a scene: structure, story elements, plot elements, emotion beats, even Kowal’s yes-but and no-and strategy she mentions on Writing Excuses (Jill Williamson describes it here).

To wrap my brain around it, I turned to Scrivener and fell in love, yet over time it felt clunky and awkward. I waited for Scrivener 3 for Windows with greedy anticipation. And waited and waited

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Salvage: Emmett’s Function

In the first episode of Salvage we are introduced to Emmett. He’s the helmsman and (possible spoiler) assistant medic onboard the long-haul transport, Brio’s Hope.

In the book his function is to tell the parts of the story Kaylah cannot, and to illustrate not only the “coolness” of space but, more critically to the story, how dangerous space travel is.

This plot thread involving the ship through the eyes of Emmett has been on of the most frustrating to nail down. Too much of Emmett’s story lessens the emphasis of the dangers of space travel. Too little impact, and you won’t care much about Emmett.

I’m trying to work him as a foil, too, if possible, in contrast to Kaylah’s lack of power, lack of control, and fearfulness. There’s also a contrast between Emmett’s warmth and the doctor’s coldness.

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